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"He was a man who never took off his hat," begins Geoffrey.,

"In the National Gallery, do you mean?" asks Mona, with a pretty, puzzled frown on her brow. "Oh, no, Geoffrey; I shouldn't like that at all. To be stared at by everybody,—it wouldn't be nice, would it?",

After a little time she succeeds in partially lifting the cloud that has fallen on her brother. He has grown strangely fond of her, and finds comfort in her gentle eyes and sympathetic mouth. Like all the rest, he has gone down before Mona, and found a place for her in his heart. He is laughing at some merry absurdity of hers, and is feeling braver, more hopeful, when a little chill seems to pass over him, and, turning, he confronts a tall dark young man who has come leisurely—but with a purpose—to where he and Mona are standing.,

Thus half an hour goes by. Then Geoffrey, growing uneasy, raises his head and looks at Mona. From where he sits the bed is hidden from him, but he can see that she is still kneeling beside it, her hand in Rodney's, her face hidden in the bedclothes.

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"Are you one of the others?",

Here she gets completely out of her depths, and stops to consider from whence this train of thought sprung. The pig is forgotten,—indeed, to get from pigs to diamonds and back again is not an easy matter,—and has to be searched for again amidst the dim recesses of her brain, and if possible brought to the surface.,

Creeping through the grass behind this person, something was slowly drawing near to him. There was no noise, the watcher heard nothing; still he sat there, looking out over the prairie, and turning his head neither to the right nor the left. This thing behind him kept creeping closer, and presently it was so near it could touch the man. Perhaps then there was some little rustle of the grass, and the watcher turned his head. It was too late. A strong arm around his neck bent his head back, a hand covered his mouth, a long stone knife was thrust into his breast, and he died in silence. The fading light had kept people in the camp from seeing what had happened.,

"Nicholas, what is the meaning of this?" says Geoffrey, a few moments later, coming up with a darkening brow to where Nicholas is leaning against a wall. "What has possessed Mona to give that fellow a dance? She must be mad, or ignorant, or forgetful of everything. She was with you: why did you not prevent it?"